Jenny lind was married to franz lizt1/2/2024 ![]() ![]() Her success was such that she stayed in Dresden for two years, after which she signed a five-year contract with the Royal Italian Opera in London, making her debut at Covent Garden on June 12, 1880, again as Lucia. Marcella adopted the professional name of Sembrich (her mother's maiden name) for her German debut at the Saxon Royal Opera in Dresden in 1878, singing the role of Lucia. At the end of her engagement, which included performances in Lucia di Lammermoor and Dinorah, she returned to Vienna to work on her German repertoire with Richard Lewy and to study dramatic interpretation with the actress Marie Seebach. After a honeymoon in Athens, she made her operatic debut there in June, singing Elvira in I puritani. On May 5, 1877, she married her former teacher, Wilhelm Stengel, a widower with two sons, who also became her manager. In 1875, Sembrich went to Milan to study with Giovanni Lamperti and his father Francesco. She was further inspired by a performance of Adelina Patti, to whom she would later be compared. While in Vienna, she had the opportunity to play and sing for Franz Liszt who encouraged her by telling her that her voice was her greatest gift. Marchesi confirmed his observations and Sembrich began voice lessons with Victor Rokitansky at the Vienna Conservatory. Recognizing that Marcella had a beautiful voice, Epstein sent her to the great singer Mathilde Marchesi for further evaluation. She also began working on harmony with Charles Mikuli and sang in the conservatory chorus.Īt age 16, Sembrich was recommended to Julius Epstein in Vienna, for whom she auditioned on the violin and also sang. When Casimir took the position of village organist in Bolechów and moved the family there, Sembrich, under the patronage of one of the townspeople, began studying piano with Wilhelm Stengel at the conservatory at Lemberg. She also played in the family quartet and copied music for long hours, which caused her to develop vision problems later in life. He instructed Marcella on the piano when she was four, and she added violin lessons at six. Casimir, a talented musician in his own right, provided for his large family by giving music lessons and occasionally performing. Sembrich, one of 13 children, was born Praxede Marcelline Kochanska in 1858, in a part of Austrian Poland then known as Wisniewczyk, Galicia, the daughter of Casimir Kochanski and Juliana Sembrich Kochanska. Following her retirement from the stage in 1924, she taught in the vocal departments of the Juilliard School in New York and the Curtis Institute in Philadelphia, teaching several of her successors, including Sophie Braslau, Alma Gluck, and Maria Jeritza. At a benefit concert in New York in 1884, she amazed the audience by singing a selection from Giovanni Paisiello's Il barbiere di Siviglia, playing a movement from a concerto by Charles-Auguste de Bériot on the violin, and, as an encore, performing a mazurka by Frédéric Chopin on the piano. Ranked with operatic sopranos Adelina Patti, Nellie Melba, and Christine Nilsson, Marcella Sembrich was not only a brilliant singer, but excelled at the piano and violin as well. ![]() Lamperti in Milan married Wilhelm Stengel (a piano teacher and later her manager), on (died 1917) children: sons Marcel (died in infancy) and William Marcel, and two stepsons.ĭebuted in Athens as Elvira in Bellini's I puritani (1877), Covent Garden as Lucia (1880), Metropolitan Opera as Lucia (1883) was department head at the Curtis Institute of Music in Philadelphia and at the Juilliard School in New York. Born Praxede Marcelline Kochanska (also seen as Prakseda Marcelina Kochanska, while some sources cite Kadanska) in Wisniewczyk, Galicia (part of Austrian Poland), on Februdied in New York on Januone of 13 children of Casimir Kochanski (a teacher and instrumentalist) and Juliana (Sembrich) Kochanska studied with Wilhelm Stengel at the Lemberg (Lvov) Conservatory, with Viktor Rokitansky in Vienna, and with G.B. Name variations: Marcella Sembrich-Kochanska. ![]()
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